It was a beautiful autumn day in 1848 when two young men met on the road to a busy Massachusetts whaling port. By nightfall they had signed on as hands for the whaling bark Polly.
"They had no idea how it felt to be on a sailing ship when it moved. They had never heard the creak of swaying masts or the whistle of wind through rigging. They had never touched ropes so hot they were slimed with tar or so cold they were frozen into steel, never smelled the miserable stink of disturbed bilge water or the lovely perfume of a spice island.
"They had never tasted salt junk or the sweetness of a banana picked from the tree at its exact moment of ripeness. There were hundreds of things they had never seen. An ocean of water so wide that no land touched it in any direction. A wild sea storm. A dead calm. A palm tree. A cannibal. An iceberg. The wonderful Southern Cross. A wandering albatross. And, most important of all, a living whale!"
They would, of course, feel and taste and see these things -- and this is the fascinating story of their two-year voyage, or how Matt and Tim found out what they wanted to do with their lives, of the duties an pleasures of life on board -- of the whaleman's world in all its variety and excitement.
Whaleman's World by Jan Henry
Book Search
Book Store
The Outrider Reading Group is a collective of readers, writers and reviewers scouting the frontiers of written communication.
Friday, October 29, 2010
Friday, October 22, 2010
Booklist Addition: Film Nation
Film Nation
Hollywood Looks at U.S. History
by Robert Burgoyne
University of Minnesota Press, 2010
Events of the past decade have dramatically rewritten the American national narrative, bringing to light an alternate history of nation, marked since the country’s origins by competing geopolitical interests, by mobility and migration, and by contending ethnic and racial groups.
In this revised and expanded edition of Film Nation, Robert Burgoyne analyzes films that give shape to the counternarrative that has emerged since 9/11—one that challenges the traditional myths of the American nation-state.
Hollywood Looks at U.S. History
by Robert Burgoyne
University of Minnesota Press, 2010
Events of the past decade have dramatically rewritten the American national narrative, bringing to light an alternate history of nation, marked since the country’s origins by competing geopolitical interests, by mobility and migration, and by contending ethnic and racial groups.
In this revised and expanded edition of Film Nation, Robert Burgoyne analyzes films that give shape to the counternarrative that has emerged since 9/11—one that challenges the traditional myths of the American nation-state.
Subscribe to:
Posts (Atom)